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Mcl Blame It On The Samba Meaning
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Dear Internet Archive Supporter,I ask only once a year: please help the Internet Archive today. Right now, we have a 2-to-1 Matching Gift Campaign, so you can triple your impact! The average donation is $45. If everyone reading this chips in just $5, we can end this fundraiser today. All we need is the price of a paperback book to sustain a non-profit website the whole world depends on. We’re dedicated to reader privacy so we never track you. We never accept ads.
But we still need to pay for servers and staff. I know we could charge money, but then we couldn’t achieve our mission. To bring the best, most trustworthy information to every internet reader. The Great Library for all. The Internet Archive is a bargain, but we need your help. If you find our site useful, please chip in. Thank you.— Brewster Kahle, Founder, Internet Archive.
Dear Internet Archive Supporter,I ask only once a year: please help the Internet Archive today. Right now, we have a 2-to-1 Matching Gift Campaign, so you can triple your impact! The average donation is $45. If everyone reading this chips in just $5, we can end this fundraiser today.
All we need is the price of a paperback book to sustain a non-profit website the whole world depends on. We’re dedicated to reader privacy so we never track you.
We never accept ads. But we still need to pay for servers and staff. I know we could charge money, but then we couldn’t achieve our mission. To bring the best, most trustworthy information to every internet reader. The Great Library for all.
The Internet Archive is a bargain, but we need your help. If you find our site useful, please chip in. Thank you.— Brewster Kahle, Founder, Internet Archive. Dear Internet Archive Supporter,I ask only once a year: please help the Internet Archive today. Right now, we have a 2-to-1 Matching Gift Campaign, so you can triple your impact!
The average donation is $45. If everyone chips in just $5, we can end this fundraiser today. All we need is the price of a paperback book to sustain a non-profit library the whole world depends on. We’re dedicated to reader privacy. We never accept ads. But we still need to pay for servers and staff.
I know we could charge money, but then we couldn’t achieve our mission. To bring the best, most trustworthy information to every internet reader. The Great Library for all. We need your help. If you find our site useful, please chip in.— Brewster Kahle, Founder, Internet Archive. Performer: Ethel Smith; The Bando CariocaWriter: Ernesto Nazareth; Ray GilbertSamba; (Based On 'Apanhei-Te Cavaquinho'); From Walt Disney Production 'Melody Time'.Digitized at 78 revolutions per minute.
Four stylii were used to transfer this record. They are 3.8 mil truncated eliptical, 2.3 mil truncated conical, 2.8 mil truncated conical, 3.3 mil truncated eliptical. These were recorded flat and then also equalized with Turnover: 400.0, Rolloff: -12.0.The preferred versions suggested by an audio engineer at George Blood, L.P. Have been copied to have the more friendly filenames.Matrix number: W74114T2ACatalog number: 23828 BOther IDs from the record include: (74114).
I'll Blame It On The Samba is the vocal version of 's Samba Elegante. It's a sensual but sunny bossa that shows just how thrilling Brazilian rhythms can be—both in the lyric and in the arrangement. It's a great exercise for a vocalist who wants to work on syncopation and rhythm, as it is full of challenging and fun rhythmic patterns that are sure to get everyone dancing.Our audio excerpt begins at the top of the piece with a quirky horn intro. Tina then comes in with the melody, which is the perfect vehicle for her expressive voice and clear diction—she really captures the gaiety of the lyric. The solo section starts with a thrilling piano solo by Ray Bryant, followed by an unusual trading-fours section between Tina and the rest of the band.
After the solos, the story takes on new significance—now we've really heard just how powerful the samba can be!Lyric Description: Tina's lyric describes how a timid lover is transformed by her rhythmic awakening. Before coming to Rio, she was naive and scared, but after hearing and dancing to the samba, she realizes it's finally her time for love.No-vocal version: This version follows the format of Tina's recording—complete with horn backgrounds that don't get in the singer's way—until the solo section, during which the changes from the bridge are repeated three times. The solo section is left open so that the vocalist may practice improvisation with a solid rhythm section. The form moves to the out chorus immediately after solos (with no interlude as there is on the vocal lead sheet edition and on Tina's recorded version).If another key would be better for you, send the key you'd like to and we'll post the transposition on the website for purchase. If you're not sure which key is best, send us your range and we'll work with you to figure out the best key. Following performances in his native Philadelphia with guitarist Tiny Grimes and as house pianist at the Blue Note Club with Charlie Parker, Lester Young, Miles Davis and others, Ray Bryant came to New York in the mid-1950s. His first jazz recording session in New York was with Toots Thielemans (August, 1955) for Columbia Records.
That session led to his own trio sessions as well as sessions with vocalist Betty Carter for Epic Records in May and June ('Meet Betty Carter and Ray Bryant'). On August 5, 1955, Ray recorded with Miles Davis, and on December 2, 1955, with Sonny Rollins, both for Prestige Records. Influenced at an early age by her collection of Duke Ellington and Fats Waller records, May has become one of the finest jazz vocalists and lyricists the U.K.
Has produced. After heading her own Back Door Theatre Company in the early ‘80s, she established herself as a chanteuse in Paris, forming her first quartet in 1989. She has released seven albums under the U.K. Record label 33Jazz, becoming a featured soloist in distinguished jazz events and venues including the Duke Ellington mass, London jazz club, and the Lionel Hampton Jazz Club in Paris. She frequently appears on BBC radio and television.